Tuesday 27 November 2012

Soundtrack Research

A soundtrack is the recording of a musical accompaniment for a movie. In my eyes a soundtrack is one of the most effective tools that can be used by producers to help make the film interesting and scary. A soundtrack can be used to keep the viewers attention by creating tension and other methods. I believe that when creating my trailer I will need to use a Soundtrack to keep the audience interested and involved in the trailer.

To create and use a successful Soundtrack I will need to research what is effective and what works well and then impliment this sort of effect in my trailer to make the music as an effective tool within my trailer.

Below I will analysis the soundtrack of several trailers.

Dead Silence

For the first half of the trailer the soundtrack isn't very prominent just a few moments of tension building by a slowing increasing pitch noise and a few SFX. The most interesting part of the soundtrack is the song at the end, as it has singing in, this is very rare but it is part of the soundtrack. It is the song that is part of the story, it used to be sung by children to try and scare each other, but in this case helps tell part of the story as the rhyme includes some important facts.



Silent Hill: Revelation 3D

At the start of the soundtrack the music is quite loud and bold, then once the action has finished then a quite and delicate piano piece comes on, helping calm the audience back down, it helps keep them aware and attentive as well. There are quite a few SFX's such as the church bell, the sword swish and the loud footsteps. Then at the end is a piece of rock music, suggesting more action within the film, however this sort of music is usually related to action films so the producers might be trying to appeal to this audience by using it.




Nightmare on Elm Street

At the start of this trailer so upbeat music is played while the still human Freddy is running away from a mob of people, helping to raise the speed of the trailer and hopefully raise interest in the trailer. In this trailer also they use a sung piece of music that tells the viewers about the character, however this one is used as it will help previous fans or the previous audience relate to this trailer.




The main things I have learnt from these pieces is to slow and speed up the track depending on the speed of the clip, use creepy instruments to create a creepy atmosphere and only use a soundtrack where it is needed.


Monday 12 November 2012

Certificate Research

For our film we will need to give it a rating to suggest who is suitable to watch it. The rating is very important when creating a film as giving it a low rating can scare off the possible audience and a too  high rating can stop some of the target audience being able to see it.


Below is the classification of each of the ratings. This will give me a higher knowledge of the classification and possibly help me to decide what classification to give my film.



U Universal
Discrimination
No discriminatory language or behaviour unless clearly disapproved of.
Drugs
No references to illegal drugs or drug misuse unless they are infrequent and innocuous, or there is a clear educational purpose or anti-drug message suitable for young children.
Horror
Scary sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Imitable behaviour
No potentially dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.
Language
Infrequent use only of very mild bad language.
Nudity
Occasional natural nudity, with no sexual context.
Sex
Mild sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).
Theme
While problematic themes may be present, their treatment must be sensitive and appropriate for young children.
Violence
Mild violence only. Occasional mild threat or menace only.


PG Parental Guidance
Discrimination
Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of or in an educational or historical context. Discrimination by a character with which children can readily identify is unlikely to be acceptable.
Drugs
References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.
Horror
Frightening sequences should not be prolonged or intense. Fantasy settings may be a mitigating factor.
Imitable behaviour
No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.
Language
Mild bad language only.
Nudity
Natural nudity, with no sexual context.
Sex
Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.
Theme
Where more serious issues are featured (for example, domestic violence) nothing in their treatment should condone unacceptable behaviour.
Violence
Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).
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12A/12 
Discrimination
Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
Drugs
Any misuse of drugs must be infrequent and should not be glamorised or give instructional detail.
Horror
Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied, or appear pain or harm free. Easily accessible weapons should not be glamorised.
Language
Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be infrequent.
Nudity
Nudity is allowed, but in a sexual context must be brief and discreet.
Sex
Sexual activity may be briefly and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.
Theme
Mature themes are acceptable, but their treatment must be suitable for young teenagers.
Violence
Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.
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15
Discrimination
The work as a whole must not endorse discriminatory language or behaviour.
Drugs
Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
Horror
Strong threat and menace are permitted unless sadistic or sexualised.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.
Language
There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
Nudity
Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex
Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.
Theme
No theme is prohibited, provided the treatment is appropriate for 15 year olds.
Violence
Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable.
There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

18
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
• where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Sex education at ‘18’
Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.
Sex works at ‘18’
Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other
very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.
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R18
The following content is not acceptable:
• any material which is in breach of the criminal law, including material judged to be obscene under the current interpretation of the Obscene Publications Act 1959
• material (including dialogue) likely to encourage an interest in sexually abusive activity (for example, paedophilia, incest or rape) which may include adults role-playing as non-adults
• the portrayal of any sexual activity which involves lack of consent (whether real or simulated). Any form of physical restraint which prevents participants from indicating a withdrawal of consent
• the infliction of pain or acts which may cause lasting physical harm, whether real or (in a sexual context) simulated. Some allowance may be made for moderate, non-abusive, consensual activity
• penetration by any object associated with violence or likely to cause physical harm
• any sexual threats, humiliation or abuse which does not form part of a clearly consenting role-playing game. Strong physical or verbal abuse, even if consensual, is unlikely to be acceptable.



As we are making a Horror film we are most probably going to try and aim to get a 12, a 15, or a 18 as the target audience is mainly a 14- 30 age bracket. We wouldn't want to get a U, a PG, or a 12A as this would stop us putting in many popular horror film cliches and conventions such as blood and violence, and it may also deter Horror fans from seeing it as they might assume that it won't be scary as it is suitable for children. We also wouldn't want to get a restricted 18 as it might put off Horror fans as it may be too disturbing.


Here is some films that are or have been banned in the UK.


The Exorcist                                                     1986-1999

Visions of Ecstasy                                            1989-2012
Leatherface: The Texas Chainsaw Massacre 3 1990-2004
Reservoir Dogs                                                 1992-1995
Mikey                                                               1993-Ongoing
Grotesque                                                         2009-Ongoing
Human Centipede 2                                         2011-Ongoing



Beneath is a list of the top 20 grossing Horror movies and what certificate they are and a table and graph to show this. The highest grossing is at the top of the list.


1. What Lies Beneath -  15
2. Gremlins -                 15
3. Blair Witch Project -   15
4. A Christmas Carol -    PG
5. Godzilla -                   PG
6. The Ring -                 15
7. The Grudge -             15
8. Paranormal Activity - 15
9. Paranormal Activity 3 - 15
10. Scream -                 18
11. Scream 2 -               18
12. Sleepy Hollow -        15
13. The Haunting -         12
14. Scream 3 -              18
15. Saw 2 -                    18
16. Amityville Horror -     15
17. Paranormal Activity 2 - 15
18. The X Files -             15
19. Dracula -                   18
20. Freddy vs Jason -      18





After this research into how a film certificate affects the amount of money a film makes, it show how important the certificate is. As PG's, 12's, U's and 12A's clearly don't work well as Horror films as only a few have ever reached within the Top 20 most grossing. 


Due to this research I believe that the decision is between an 18 and a 15 as these are the highest two categories. There are benefits and disadvantages of using both. Using a 18 certificate would be good as it would attract an audience that likes violence, swearing and sex scenes, and it also means we can put in many famous cliches  without worrying that they will be to gory. However a disadvantage of having an 18 is it majorly cuts down the box office audience as 15-18 year olds are one of the highest cinema attending audiences and you cut out many of them due to the age. A benefit of using a 15 certificate is that it will allow all of the target audience to watch the film, allowing for a larger profit. A disadvantage of using a 15 certificate is that you may be forced to cut out scenes of extreme violence. 


In conclusion I believe a 15 certificate would be best for our Horror film as it allows the whole target audience to view the film and will probably mean a larger profit. Using a 15 would allow a small amount of violence and also swearing which would be necessary in our film in order to please the target market.

Wednesday 7 November 2012

The Devil Inside Trailer and Poster Analysis

Poster


This Devil Inside poster above is very simple but very effective. It tells the viewer all they need to know about the film.  The main thing that draws your attention straight away is the woman on the right hand side of the picture. It is a woman with dilated eyes showing the audience her bottom lip. On it is the symbol of the Anti Christ, an upside down cross, this tells the audience instantly that this film is about the devil and is predominantly a horror. But if this symbol does not register with the audience they would be able to tell that it is a horror from the title, 'The Devil Inside'. The Devil Inside suggests a possession within the film which is accurate as within the lady in the poster is 'possessed'. The tagline 'No Soul is safe' also suggests to the audience that the film is a horror film, and is their to help try and attract more horror fans, then the date at the bottom allows the audience that like the look of the film to know when they will be able to see it.





Trailer


This is a Horror film Trailer, which is obvious from the content of the trailer, including strange things happening and jumpy moments. The film was released in January 2012 with the age rating 15 having being produced by William Brent Bell. The trailer starts with the statement that the call is an actual 991 call. This makes it that much scarier as this helps suggest to the audience that this is all real not just the call, making it more believable and more relatable, and what they are mainly going for, it will make it scarier. For a film like this it is almost essential for the trailer to be scary as the scarier it is the more it will attract the specified Horror target audience. It then goes on to a black screen where what is being said is transcripted on screen, it is a telephone conversation between a 911 receiver and a 'murderer'. The conversation is about how the lady on the line has killed 3 people, while supposedly being possessed by the Devil. After this conversation is a Insurge title, this is the production company which helped to make the film.

Next up is the start of the actual footage used for the trailer. It starts off with a shot of several characters within a Cafe. While in this shot you hear one of the character talk about how her mother killed 3 people while being exorcised. In this shot it sticks to the 180 degree rule, which states that the camera must stay on a certain side of the action, as not to confuse the audience.

There is then a transition that I am thinking of using in my trailer, it is a blur of black and white, which is what you'd expect when watching an old TV. This transition effect is used effectively to show that what the audience is viewing is old Television footage. They also use some sort of tint on the footage of the mum being arressted used to give the impression that it is old footage.

This this shot then swaps to a establishing shot when she mentions that the church got invovled with her mum after she commited the crimes. The city in the shot is most probaly Vatuican. This use of shot is used to allow the audeince

The next sequence of this section of clips is in the mental hospital meeting her mother for the first time since the murders. They have cleverly used Mise-en-scene to show the location of the scene. You can tell it is a hospital from the bland white clean corridors and you can tell it is most probably catholic as there are crosses on several of the doors. You also see another hint towards demonic possession as she randomly starts screaming and her mum also she shows the anti-christ symbol on the inside of her lip.

You see a scene now shot in a basement with a old bed in the middle with a 'possessed girl' on it. See shows her possession by popping her shoulder into strange and scary positions. They have used the technique of slowing increasing the speed of the trailer slowly drawing in the attention of the viewers. They decrease the length of the shots and increase the harshness of the transitions, by this I mean at this point they use Jump cuts whereas at the start they use quite a few soft transitions like fade. Then they speed up and make it a bit more scary which is an attempt to convince as many people who like Horror films that they will enjoy this film.

In conclusion this is a very good Horror trailer as it catches the target audiences attention very well and is very appealing to them. I believe to create a decent trailer, copying some of the techiniques in this would be very beneficial and help us create something attractive and appealing.






Friday 2 November 2012

Possible problems with shooting

When we start shooting for our trailer we need to be careful of several things that could affect the quality of the footage we get.

The first thing we need to be wary of is the time of day in accordance to the light needed. As it is coming into winter time the light will be changing at different times, a way we could counter this is by filming some test shots to see how the footage looks and then film at this time when actually filming.  We will also need to be careful if we have to reshoot as it may be difficult to get the same lighting, a way to counter this may be to shoot the shot several times in the first attempt, therefore if one shot is not good we will always have a backup shot.